The following list includes works in private collections, completed works, and works-in-progress.

Następująca lista obejmuje prace w zbiorach prywatnych, prace ukończone i works-in-progress.




1. Hermeneutics. Digital image. 2017. Variable size.

2. Pre-Television. Digital photograph. 2015/work-in-progress. Variable size.

3. Omni. Digital photograph. 2015. Variable size.

4. Muffins / Collations. Digital photograph. 2014. Variable size.

5. This Artwork Not Available Digitally. Digital photograph. 2014. Variable size. Published in: Glissando no. 32 (2017): 34. 

6. Trumpet System (2012/2016) Mixed media, 13'' x 13''. With quotations from Gilbert (1893). Made for Omega. Published on during the Kim Dotcom Mega Upload webpage detournément.

7. I May Have Put an Artwork on the Back of This Tree-Trunk. Digital photograph. Variable size. 2012. Published in: Glissando no. 32 (2017): 31.

8. Child With Piece of String. Mixed media. Size: 9’’ x 14’’ x 10’’. 2012/work-in-progress.

9. The Like Button Illustrations. Quotations of anonymous book cover artwork for A Place to Live (1963). Print on cardboard. Size: six art cards, each 2 1/2’’ x 3 1/2’’. 2012.

10. A Wink to Thieving Lawrence. Mixed media. Size: 6 1/8’’ x 8 1/8’’ x 3 1/2. 2012/work-in-progress.

11. Montreal Tourist and Citizen Rescue Art Cards. Nos. 1—12Print on paper. Size: circa 2 1/2’’ x 3 1/2’’. 2012. No. 1 in private collection in Toronto.

12. Uncanny Art Object No. 1/2. Mixed media. Size: 2 1/2’’ x 3 1/2’’. 2012/work-in-progress.

13. The Price of Myths. Mixed media. Size: unlimited series in various sizes from 2 1/2’’ x 3 1/2’’ to 5 13/16’’ x 9 1/4’’. 2012—series-in-progress. Two works in private collections in Canada.

14. Anxiety in Fur (Uncanny Art Object No. 1). Mixed media. Size: 2 1/2’’ x 3 1/2’’. 2012/2014. Private collection in France.

15. When the Atom Bomb Strikes. Ink on paper. Size: 6 3/8’’ x 9 7/16’’. 2011/work-in-progress.

16. “Ce que nous appelons ‘je’ n’est qu’une porte battante” (Shunryu Suzuki). Wood, title and price concept. Size: 5 1/16’’ x 9’’. Circa 2007-/work-in-progress.

17. The Character Tablet (For a Hospitalized Woman). Paper pulp. 2002. Size unavailable. Private collection in Canada.

18. ______. (Five pieces of handmade paper for use in Canadian artist Adrian Williams' works.) Paper pulp. 2002. Size unavailable. Private collection in Germany.

19. The Question of Love. Ink on paper. 2001. Size: 6'' x 6''.

20. The Question of Tao. Ink on paper. 2001. Size: 10'' x 3''. 

21. Untitled. Acrylic paint on paper board. Size unavailable. 2001. Private collection in Havana.

22. Original Communion (pour Véronique). Paper pulp. 2001. Original size unknown. Destroyed.

23. The Heisenberg Transfiguration. Performance. 2001. Performed at The New Clark Gallery Box (Montreal) during Sound Night, curated by Kapelański.

24. Occupation: True Revolutionary!

            a/Mixed media. 2000. Height circa 4'.

            b/Performance (slow-motion destruction). 2002.

25. E. Ink on paper and board. 2000. Size circa 3'4'' x 2'6''. Destroyed in slow motion as part of project.




Girl. Colour markers on photocopy of anonymous magazine photo. Circa 1989. Size 4'' x 6''. Published on Art Lovers Net "An Artist a Day Keeps the Doctor Away" (August 18, 2017).



1. The Heisenberg Principle Maksymilian Kapelański. Performed by the author (with introduction read by CourtnAy) at Sound Night, 2001. The New Clark Gallery Box in Montreal.

2. Clapping Music Steve Reich. Performed with Agnieszka Brańska. Concert of 3rd-Year Institute of Musicology Students, University of Warsaw, 1997. Concert Hall at Fryderyk Chopin State Music School, Warsaw.



1. Mr. Rupinfort and the Descent of Anna. A puppet spectacle by Randall Lawrence and poetry reading by Larry Whitaker. 2001. The New Clark Gallery Box in Montreal. 

2. Sound Night. Sound-art performances by Paul Williams, Maksymilian Kapelański, Randall Lawrence and Larry Whittaker. 2001. The New Clark Gallery Box in Montreal.

3. Coffee-Pot Steamship. A slide show of visual creativity2000. The New Clark Gallery Box in Montreal. □ Paul Williams: Rotten Shag and Static TV □ Adrian Williams: [unarchived title] □ Sarah McKiel: The Last Portraits of Sarah Tracz □ Randall Lawrence: Work □ Maksymilian Kapelański: This is Non-Art □ Paul Zacharias: A Good Mother Loves Her Evil Child.


1. Coffee-Pot Steamship. Printed paper. 2000/2016. 8 1/2'' x 11''.

2. r!. Printed paper. 2002. Circa 4 1/2'' x 10''.